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"Made with spray paint and hand-cut stencils, this film was an attempt at maximum plastic intensity… Places Breer for the first time among the major colorists of the avant-garde." – P. Adams Sitney
Elenco e Equipa Técnica
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With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e...
Jeux des reflets et de la vitesse
A high-speed travel through Paris on trains and on the Seine.
A meat enigma spoken in eternal language of director, con man, and magician. It’s about the sham flesh that men create to dam the streaming of truth from their muscles and senses… a molecule of revela...
A free flow from photography to geometric abstraction hand-painted by Breer. - Harvard Film Archive
A wall blocks the path of two people. One man submits, while the other refuses to admit defeat.
London to Brighton in Four Minutes
London to Brighton in 4 minutes BBC interlude. From the days when TV was all live and programming was hectic. Often when one program finished, the next one was not ready yet, and the gap had to be fil...
Uma vaca açougada é decapitada neste curta-metragem de Hollis Frampton.
The Cuckoo Waltz
The Midnight Party
Part of The Children's Trilogy. Filmed in 1938, effects added by Larry Jordan ca. 1965-68.
Case Study: Heroin
A man talks about heroin abuse and withdrawal.
A short experimental film from James Broughton.
The Silent Majority
The 8 minute short is open to interpretation as it examines the inner thoughts of several people around a table, with the Rita Hayworth version of Put the Blame on Mame playing on the soundtrack.
Director Joseph Cornell evokes the nostalgia of childhood by filming a children's party.
Com um comentário de Noël Burch (em absurdo francês), a montagem de fogo rápido da Recreation de imagens de um único quadro de incrível densidade e intensidade tem sido comparada à poesia Beat contemp...
Shot at 2,000 frames per second, this short shows a man exhaling smoke in incredibly slow motion.
Uma série de veículos fantasmas passam por este curta-metragem de Hollis Frampton.
A câmera atravessa um campo de flores a velocidades extremas neste curta-metragem de Hollis Frampton.
"I have not changed the editing structure. I have made the films printable. They are the first known fully collaged films, i.e., films made from found footage, and were done sometime in the ‘40s. Corn...