There's No Business Like Show Business (1954)
There's No Business Like Show Business (1954)
Plot.
Molly and Terry Donahue, plus their three children, are The Five Donahues. Youngest son Tim meets hat-check girl Vicky and the family act begins to fall apart.
Where to Watch.
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Cast & Crew.
Ethel Merman
Molly Donahue
Marilyn Monroe
Vicky
Mitzi Gaynor
Katy Donahue
Dan Dailey
Terence Donahue
Donald O'Connor
Tim Donahue
Johnnie Ray
Steve Donahue
Richard Eastham
Lew Harris
Hugh O'Brian
Charles Gibbs
Frank McHugh
Eddie Dugan
Rhys Williams
Father Dineen
Lee Patrick
Marge
Eve Miller
Helen
Dorothy Abbott
Showgirl (uncredited)
Lyle Talbot
Stage Manager (uncredited)
George Chakiris
Dancer (uncredited)
John Doucette
Stage Manager (uncredited)
Alvy Moore
Katy's Date (uncredited)
Ron Nyman
Tattooed Sailor (uncredited)
Walter Winchell
Walter Winchell (voice) (uncredited)
Dorothy Adams
Nurse (uncredited)
Robin Raymond
Lillian Sawyer (uncredited)
Walter Lang
Director
Henry Ephron
Screenplay
Walter M. Scott
Set Decoration
Robert L. Simpson
Editor
Sol C. Siegel
Producer
Lamar Trotti
Story
Stuart A. Reiss
Set Decoration
Phoebe Ephron
Screenplay
Lyle R. Wheeler
Art Direction
John DeCuir
Art Direction
Leon Shamroy
Director of Photography
Alfred Newman
Music Supervisor
E. Clayton Ward
Sound
Miles White
Costume Design
Travilla
Costume Design
Charles LeMaire
Wardrobe Supervisor
Leonard Doss
Color Assistant
Bernard Mayers
Orchestrator
Robert Alton
Choreographer
Media.
Details.
Release DateDecember 16, 1954
StatusReleased
Running Time1h 57m
Content RatingNR
Genres
Wiki.
Irving Berlin's There's No Business Like Show Business is a 1954 American musical comedy-drama film directed by Walter Lang. It stars an ensemble cast, consisting of Ethel Merman, Donald O'Connor, Marilyn Monroe, Dan Dailey, Johnnie Ray, and Mitzi Gaynor.
The title is borrowed from the famous song in the stage musical (and MGM film) Annie Get Your Gun. The screenplay was written by Phoebe Ephron and Henry Ephron, based on a story by Lamar Trotti; and the movie was Fox's first musical in CinemaScope and DeLuxe Color.O'Connor later called the film the best picture he ever made.
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