Now, Voyager (1942)
Now, Voyager (1942)
Plot.
Where to Watch.
Currently Now, Voyager is available for streaming online, rent, buy or watch for free on: Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu, Tubi TV
Streaming in:🇺🇸 United States
This Movie Is About.
Cast & Crew.
Bette Davis
Charlotte Vale
Paul Henreid
Jeremiah 'Jerry' Duvaux Durrance
Claude Rains
Dr. Jaquith
Gladys Cooper
Mrs. Henry Vale
Bonita Granville
June Vale
John Loder
Elliot Livingston
Ilka Chase
Lisa Vale
Lee Patrick
Deb McIntyre
Franklin Pangborn
Mr. Thompson
Katharine Alexander
Miss Trask
James Rennie
Frank McIntyre
Mary Wickes
Dora Pickford
Tod Andrews
Dr. Dan Regan (uncredited)
Brooks Benedict
Party Guest (uncredited)
Yola d'Avril
Celestine (uncredited)
Charles Drake
Leslie Trotter (uncredited)
Claire Du Brey
Hilda (uncredited)
Elspeth Dudgeon
Aunt Hester (uncredited)
Bill Edwards
Ship's Passenger (uncredited)
Mary Field
Ship's Passenger (uncredited)
Bess Flowers
Concert Audience Member (uncredited)
George Lessey
Uncle Herbert (uncredited)
Tempe Pigott
Mrs. Smith (uncredited)
Frank Puglia
Giuseppe (uncredited)
Constance Purdy
Rosa (uncredited)
Janis Wilson
Christine 'Tina' Durrance (uncredited)
Ian Wolfe
Lloyd (uncredited)
Irving Rapper
Director
Casey Robinson
Screenplay
Olive Higgins Prouty
Novel
Hal B. Wallis
Producer
Warren Low
Editor
Media.
Details.
Wiki.
Now, Voyager is a 1942 American drama film starring Bette Davis, Paul Henreid, and Claude Rains, and directed by Irving Rapper. The screenplay by Casey Robinson is based on the 1941 novel of the same name by Olive Higgins Prouty.Prouty borrowed her title from the Walt Whitman poem "The Untold Want", which reads in its entirety,
The untold want by life and land ne'er granted,
Now, voyager, sail thou forth, to seek and find.
In 2007, Now, Voyager was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." The film ranks number 23 on AFI's 100 Years ... 100 Passions, a list of the top love stories in American cinema. Film critic Steven Jay Schneider suggests the film continues to be remembered for not only its star power, but also the "emotional crescendos" engendered in the storyline.