Russian Symphony (1994)
1h 55m
Running Time
August 25, 1994Release Date
Russian Symphony (1994)
1h 55m
Running Time
August 25, 1994Release Date
Network & Production Companies
Plot.
The protagonist finds out that some children were left behind in a sinking school, and is slowly driven mad as he tries to save them. A parable on the theme of the Last Judgment, numerous catastrophic events reveal a certain ambiguity in their origins, accompanied by the terrible suspicion that the things going on are some kind of a performance or theatrical production.
Where to Watch.
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Cast & Crew.
Viktor Mikhaylov
Ivan Sergeevich Mazaev
Anatoly Khropov
Anna Aleksakhina
Andrey Krasko
Valentina Kovel
Valeriy Garkalin
Aleksandr Ilin
Valentin Golubenko
Nora Gryakalova
Teacher
Kira Krejlis-Petrova
Aleksey Ingelevich
Actor
Sergey Russkin
Mikhail Khrabrov
Konstantin Lopushansky
Director / Writer
Raisa Proskuryakova
Producer
Nikolai Pokoptsev
Director of Photography
Alexandr Golutva
Producer
Andrey Sigle
Music
Tatyana Patrakhaltseva
Costume Design
Lidiya Kryukova
Costume Design
Valeri Chernyavsky
Set Designer
Larisa Shilova
Production Design
Aleksandr Karelin
Additional Director of Photography
Alexey Golubev
Additional Director of Photography
Mikhail Gerasimov
Set Designer
Iosif Krinskiy
Stunt Coordinator
Natalya Avanesova
Sound Director
Jekaterina Meshijeva
Makeup Artist
Valeri Smolyakov
Valery Kravchenko
Lidiya Dorotenko
Dmitriy Zebrov
Yuriy Ashikhmin
Gennadi Vernov
Svetlana Kireeva
Nadezhda Zharikova
Boris Arakelov
Yuriy Oskin
Aleksey Inglevich
Irina Rakshina
Media.
Details.
Release DateAugust 25, 1994
Original NameРусская симфония
StatusReleased
Running Time1h 55m
Genres
Last updated:
Wiki.
Russian Symphony (Russian: Русская симфония Russkaya simfoniya) is a 1994 Russian psychological drama film directed by Konstantin Lopushansky and starring Viktor Mikhaylov. The narrative is set in a dark version of contemporary Russia where the world seems to be coming to an end through a flood. A man is desperate to do something good with his life before it ends, but is mostly met with suspicion.
The film ties in thematically with Lopushansky's other apocalyptic films, Dead Man's Letters (1986), A Visitor to a Museum (1989) and The Ugly Swans (2006), and is the most overtly religious of them.It played in the Forum section of the 45th Berlin International Film Festival and received the Prize of the Ecumenical Jury.
Apocalypse Trilogy.
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