La vuelta al nido (1938)
January 2, 1938Release Date
Plot.
Where to Watch.
Cast & Crew.
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José Gola
Enrique Núñez

Amelia Bence
The wife
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Cielito
The son
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Araceli Fernández
The daughter
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Julio Renato
Manager
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Anita Jordán
Luisita
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Vicente Forastieri
Pedro

Ernesto Villegas
El flaco
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Roberto Torres
Judge
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Pascual Pelliciota
The friend
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Pascual Pellicciotta
Juancito
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Mario Mario
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Leopoldo Torres Ríos
Screenplay / Director
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Oscar L. Nourry
Sound
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Adolfo Z. Wilson
Producer
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José Cardella
Editor
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Carlos Torres Ríos
Cinematography
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Carmelo Lobótrico
Camera Operator
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Antonio Scelfo
ProductionDesigner
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Eugenio De Briganti
Music
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Antonio Scelfo
Production Design
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Abrain De Briganti
Music
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Nicolás Oscar Nelson
Assistant Director
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Juan Siches de Alarcón
Media.
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Details.
Wiki.
La vuelta al nido is a 1938 Argentine psychological drama film written and directed by Leopoldo Torres Ríos and starring José Gola and Amelia Bence. Although upon its release it was harshly received by critics due to its slow and poetic tone, it was reappraised starting in the 1950s-1960s and has since been celebrated as ahead of its time in cinematic modernity and one of the great films of the Golden Age of Argentine cinema.
Writing for Página/12 on the occasion of its screening at the Mar del Plata International Film Festival in 2019, Diego Brodersen described it as a masterpiece and felt that: "Seen today, it stands out for its naturalism and narrative modernity, influenced by the cinema of directors such as King Vidor."
It was selected as the fifth greatest Argentine film of all time in a poll conducted by the Museo del Cine Pablo Ducrós Hicken in 1977, while it ranked 24th in the 2000 edition. In a new version of the survey organized in 2022 by the specialized magazines La vida util, Taipei and La tierra quema, presented at the Mar del Plata International Film Festival, the film reached the 51 position.
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