Mechanics of the Brain (1926)

1h
Running Time

November 19, 1926
Release Date

Mechanics of the Brain (1926)

1h
Running Time

November 19, 1926
Release Date

External Links & Social Media

Plot.

"Though not given a New York showing until 1935, V. I. Pudovkin's Mechanics of the Brain (Mekhanika Golovnovo Mozga) was written and directed by Pudovkin in 1926. A full year in the making, this scientific documentary concentrates on the behavioral studies conducted by Prof. Ivan Pavlov. The laboratory dogs used in Pavlov's research don't seem too happy about it, and as a result this film might be hard to take for the more sensitive viewers (the vivisection sequence is particularly rough). The progress of the research is detailed with charts and graphs, hardly the "cinematic" touches one might expect from Pudovkin. Interestingly, Mechanics of the Brains was released two years before the results of Pavlov's studies were printed in book form."

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Details.

Release Date
November 19, 1926

Original Name
Mekhanika golovnogo mozga

Status
Released

Running Time
1h

Genres

Last updated:

Wiki.

Mechanics of the Brain (Russian: Механика головного мозга, romanized: Myekhanika golovnogo mozga) is a 1926 Soviet documentary film directed by Vsevolod Pudovkin, a popularization of Ivan Pavlov's studies in classical conditioning. The picture is considered the first Russian popular science film. The motion picture is the first independent work of Pudovkin as a director and also marks the start of his collaboration with cinematographer Anatoli Golovnya.

Pudovkin joined Mezhrabpom-Rus film studio in 1925 and, as his first job, was assigned to make a popular science film about Ivan Pavlov's work. The filming started in May 1925 and proceeded for more than a year. The many delays were caused by constant shuttling between the Pavlov's laboratory in Leningrad and the film studio in Moscow as well as difficulties with filming conditioned animals who were easily distracted by the lights and sounds of filming process.

The film depicts Pavlov's experiments on both animals and orphans, by a variety of methods, one of which was to implement a device to collect saliva into the orphans cheek.Twenty years later, Pudovkin told an interviewer:

The only significance this first film of mine has is that it made me realize that I could work on my own. Up to then such idea seemed absolutely impossible to me, although Kuleshov assured me that I was fully able to.

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