Begotten is a 1989 American experimental silent horror film written, directed, and produced by E. Elias Merhige (credited as Edmund E. Merhige). It stars Brian Salsberg, Donna Dempsy, Stephen Charles Barry, and members of Theatreofmaterial, Merhige's theatre company. Its unconventional narrative depicts the suicide of a godlike figure and the resulting births of Mother Earth and the Son of Earth, who travel across a barren landscape. The film does not contain dialogue, relying on a visual style evoking early silent films.

The film draws on creation myths in Christian mythology, Celtic mythology and Slavic paganism, and narrative motifs and religious imagery that reoccur throughout Merhige's work. Other influences include the avant-garde artist Antonin Artaud and the philosopher Friedrich Nietzsche. The film's imagery was inspired by Georges Franju's Blood of the Beasts, Akira Kurosawa's Seven Samurai, Stan Brakhage's The Act of Seeing with One's Own Eyes, and The Cabinet of Dr. Caligari.

Begotten was conceived as a work of experimental theatre featuring dance and live music. It became a film project after Merhige realized that it would be too expensive to produce live. It was shot on location in New York City and New Jersey over five and a half months. After it was completed, Merhige spent two years trying to find a distributor. The film debuted at the Montreal World Film Festival, and later screened at the San Francisco International Film Festival, with the film critics Tom Luddy and Peter Scarlet in attendance. Impressed by its cinematographer and visual imagery, the two brought it to the attention of the critic Susan Sontag, whose enthusiastic praise and private screening to critics and filmmakers in her own home were instrumental to its eventual release.

Although it was largely ignored by mainstream critics, and the few contemporary reviews were mixed to positive, it has since attained cult film status and influenced several avant-garde film-makers, visual artists and musicians. The film's scarcity on home video prompted fans to circulate their own bootleg copies, a phenomenon described as a "copy-cult" by the film studies scholar Ernest Mathijs. Merhige directed two sequels to Begotten: 2006's Din of Celestial Birds and 2022's Polia & Blastema: A Cosmic Opera. Both are short films.