Face to Face (1967)

5
/ 10
2 User Ratings
1h 52m
Running Time

November 23, 1967
Release Date

Face to Face (1967)

5
/ 10
2 User Ratings
1h 52m
Running Time

November 23, 1967
Release Date

External Links & Social Media
Watch Face to Face Trailer

Plot.

History Professor Brad Fletcher heads west for his health, but falls in with Soloman Bennett's outlaw gang. Fascinated by their way of life, Fletcher finally takes over the gang, leading with a new 'efficient' ruthlessness.

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Currently Face to Face is available for streaming online, rent, buy or watch for free on: Filmin

Streaming in:
🇪🇸 Spain

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This Movie Is About.

Details.

Release Date
November 23, 1967

Original Name
Faccia a faccia

Status
Released

Running Time
1h 52m

Content Rating
R

Genres

Last updated:

Wiki.

Face to Face (Italian: Faccia a faccia; Spanish: Cara a cara German: Hallelujah, der Teufel lässt Euch grüßen) is a 1967 Italian/Spanish international co-production Spaghetti Western film co-written and directed by Sergio Sollima and produced by Alberto Grimaldi. The film stars Gian Maria Volonté, Tomas Milian and William Berger, and features a musical score by Ennio Morricone. It is the second of Sollima's three Westerns, following The Big Gundown and predating Run, Man, Run, a sequel to the former. Milian stars in a lead role in all three films.The film portrays the unlikely partnership of Professor Fletcher (Volonté), a university lecturer, and "Beauregard" Bennet (Milian), a wanted outlaw, and a series of events that results in an exchange of their moral values, culminating in Fletcher taking control of Bennet's bandit gang. Frequently interpreted as a parable based on the rise of European fascism, the story and themes of Face to Face were based on Sollima's wartime experiences, and his personal beliefs on the role of environments and societies in the shaping of a person's character.A major success at the European box office, Face to Face has received praise from critics and scholars of the Spaghetti Western genre for its story and acting, although some criticism has been leveled at the execution of Fletcher's character arc. Sollima considered it to be one of the best and most personal of the films he directed.

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