The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004)
February 9, 2004Release Date
The Tulse Luper Suitcases, Part 2: Vaux to the Sea (2004)
February 9, 2004Release Date
Plot.
Where to Watch.
Cast & Crew.
JJ Feild
Tulse Luper
Raymond J. Barry
Figura
Valentina Cervi
Cissie Colpitts
Marcel Iureș
General Foestling
Nur Levi
Cissie Colpits
Steven Mackintosh
Zeloty
Ornella Muti
Mathilde Figura
Ronald Pickup
Monsieur Moitessier
Jordi Mollà
Jan Palmerion
Drew Mulligan
Knockavelli
Annabelle Apsion
Mrs. Haps Mills
Anna Galiena
Madame Plens
Isabella Rossellini
Madame Moitessier
Franka Potente
Trixie Boudain
Maria Schrader
Felicite
Francesco Salvi
Paul / Pierre
Ana Torrent
Charlotte des Arbres
Gaspard Ulliel
Léon
Andrea Bruschi
Karl Heinz
Benjamin Davies
Pip
Porgy Franssen
Harpsch
Scot Williams
Percy Hockmeister
Vincent Grass
Madame Moitessier's Father
Pep Armengol
CastingDirector
Peter Wooldridge
CastingDirector
André Schneider
Man in Red
Scott Handy
Wolfgang Speckler
Richard McCabe
Horace
Ceri Mears
Marion Arbutus
Keram Malicki-Sánchez
Virgil de Selincourt
Peter Greenaway
Director / Writer
Reinier van Brummelen
Cinematography
Media.
Details.
Release DateFebruary 9, 2004
StatusReleased
Running Time1h 48m
Budget$10,000,000
Box Office$24,250
Genres
Last updated:
Wiki.
Giovanni Rota Rinaldi (Italian: [dʒoˈvanni ˈrɔːta riˈnaldi]; 3 December 1911 – 10 April 1979), better known as Nino Rota (IPA: [ˈniːno]), was an Italian composer, pianist, conductor and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy, earning the Academy Award for Best Original Score for The Godfather Part II (1974).During his long career, Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979 — an average of three scores each year over a 46-year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body of film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo De Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.