Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
November 12, 1982Release Date
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982)
November 12, 1982Release Date

Plot.
Where to Watch.






Currently Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean is available for streaming online, rent, buy or watch for free on: Apple TV, Amazon Video, Fandango At Home, Microsoft Store, Spectrum On Demand, Kanopy
Streaming in:🇺🇸 United States
Cast & Crew.

Cher
Sissy

Sandy Dennis
Mona

Karen Black
Joanne

Sudie Bond
Juanita

Kathy Bates
Stella Mae

Marta Heflin
Edna Louise

Mark Patton
Joe Qualley

Caroline Aaron
Teenager
Media.




Details.
Release DateNovember 12, 1982
StatusReleased
Running Time1h 50m
Content RatingPG
Budget$850,000
Box Office$840,000
Genres
Last updated:
This Movie Is About.
Wiki.
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean is a 1982 American comedy-drama film directed by Robert Altman. An adaptation of Ed Graczyk's 1976 play of the same name, the film stars Sandy Dennis, Cher, Karen Black, Sudie Bond, Mark Patton, and Kathy Bates, all of whom reprise their roles from the 1982 Broadway production of the play which Altman also directed. As with the original play, the film takes place inside a Woolworth's five-and-dime store in a small Texas town, where an all-female fan club for actor James Dean reunites in 1975. According to a 2014 interview with playwright Ed Graczyk the setting of the play is actually an H. L. Kressmont & Co. Five and Dime. Through a series of flashbacks, the six members also reveal secrets dating back to 1955.
Jimmy Dean was the first of several feature adaptations of plays by Altman in the 1980s, after the director's departure from Hollywood. It was screened at various film festivals in North America and Europe, and won the top prize at the 1982 Chicago International Film Festival. It was well-received by critics, who praised Altman's direction and the performances by the female cast. This was the first release for New York–based independent outlet Cinecom Pictures, which Altman chose over a major studio "to guarantee a long play" in art-house venues.
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