Under the Olive Tree (1950)
September 10, 1950Release Date
Under the Olive Tree (1950)
September 10, 1950Release Date
Plot.
Where to Watch.
Cast & Crew.
Raf Vallone
Francesco Dominici
Lucía Bosè
Lucia Silvestri
Folco Lulli
Agostino Bonfiglio
Maria Grazia Francia
Maria Grazia Dominici
Dante Maggio
Salvatore Capuano
Michele Riccardini
Il maresciallo
Vincenzo Talarico
L'avvocato difensore di Francesco
Pietro Tordi
L'avvocato Gaetano Bertarelli
Angelina Chiusano
La madre di Agostino
Attilio Torelli
Giacomo Sticca
Giuseppe De Santis
Narrator (voice) (uncredited) / Director / Story / Screenplay
Gianni Puccini
Story / Screenplay / Co-Director
Carlo Lizzani
Screenplay
Libero De Libero
Screenplay
Marco Scarpelli
Camera Operator
Idelmo Simonelli
Assistant Camera
Pasqualino De Santis
Assistant Camera
Roberto Moretti
Production Assistant
Leopoldo Savona
Production Assistant
Gina Guglielmotti
Script Supervisor
Elirio Invernizzi
Still Photographer
Basilio Franchina
Co-Director
Goffredo Petrassi
Original Music Composer
Antonio Pedrotti
Conductor
Domenico Forges Davanzati
Producer
Piero Portalupi
Director of Photography
Gabriele Varriale
Editor
Carlo Egidi
Production Design
Anna Gobbi
Costume Design
Libero Politi
Makeup Artist
Vittorio Musy Glori
Production Manager
Venanzio Biraschi
Sound
Giovanni Rossi
Sound
Vincenzo Jannone
Giovanni Paparella
Tommaso Di Gregorio
Giuseppina Corona
Maddalena Di Tricchio
Vincenzo Vaticone
Media.
Details.
Release DateSeptember 10, 1950
Original NameNon c'è pace tra gli ulivi
StatusReleased
Running Time1h 47m
Genres
Last updated:
Wiki.
No Peace Under the Olive Tree (Italian: Non c'è pace tra gli ulivi) is a 1950 Italian neorealist drama film directed by Giuseppe De Santis and starring Raf Vallone, Lucia Bosé and Folco Lulli. It was the director's follow-up to Bitter Rice (1949) which also starred Vallone. It was originally planned to partner him with Silvana Mangano again, but due to her pregnancy she was replaced by Lucia Bosé. Despite the commercial success of Bitter Rice, the Communist De Santis had been stung by left-wing criticism due to American cultural elements included the film which he purposefully excluded from the follow-up. He also included characters who were less ambiguous and concluded with a happy ending, similar to those of Socialist realism.The film's sets were designed by the art director Carlo Egidi. Location shooting took place around Fondi in Lazio, the hometown of director De Santis.