Away with Words (1999)
Away with Words (1999)
Plot.
Where to Watch.
Cast & Crew.
Tadanobu Asano
Asano Takashi
Georgina Hobson
Georgina
Christa Hughes
Christa
Kevin Sherlock
Kevin
Mavis Xu
Susie
Takanori Kubo
Asano Takashi (Boy)
島内初美
Mother
Katie Kwan Siu-Wai
Police Constable
Maurice Li
Bartender / Editor
Barry Wong Lik-Hang
Jimmy
Gregory Derham
Siren
Fukaya Akari
Elder Sister
Taira Mami
Younger Sister
Higa Chieko
Milk Lady
Kinjyo Yoshio
Dr. Kuzui
Inaba Mari
Teacher
Benny Wong Chung-Yam
Taxi Driver
Mike Lambert
Club Doorman
Au Man-Leung
Club Doorman
戴麗鳳
Store Worker
Taney Chan Tak-Chung
Store Worker
Christopher Doyle
Director / Writer / Director of Photography
Hiro Tokimori
Executive Producer / Music
Noburu Uoya
Producer
Media.
Details.
Release DateAugust 7, 1999
Original Name三條人
StatusReleased
Running Time1h 30m
Genres
Last updated:
This Movie Is About.
Wiki.
Away with Words (known also by its Chinese title 三條人, roughly translated as Three Life-stories, and its Japanese title 孔雀, translated as Peacock) is a 1999 auteur trilingual (Japanese, English, Cantonese) film by Christopher Doyle co-scripted by Doyle and Tony Rayns and starring Tadanobu Asano, Kevin Sherlock and Mavis Xu.
The film, shot in a jazzy, free-wheeling style and featuring Doyle's signature hyper-kinetic, oversaturated photography and eccentric humor, focuses on a trip that Asano's character takes to Hong Kong and his encounters with off-beat personalities populating the metropolitan landscape (among them, a beer-drinking amnesiac gay bar owner portrayed by Kevin Sherlock). Another narrative thread relies on flashbacks into Asano's character's childhood in Okinawa. The protagonist suffers from overbearing excesses of his memory, mnemonic associations and synesthesia. The emerging human attachments provide an emotional center and a source of serenity to offset the rampage of the protagonist's mind and tame the lavish disarray of urban imagery.
The film credits Borges (presumably Funes the Memorious) and Luria for inspiration. Many aspects of Asano's character (memory excess, profound synesthesia, arranging memories visually along roads, wordplay, struggling with an onslaught of associations, comments about restaurant music and its effect on food taste, the waking-for-school scene) are directly borrowed from Luria's real life case study of Solomon Shereshevskii, The Mind of a Mnemonist.
The film was screened in the Un Certain Regard section at the 1999 Cannes Film Festival.