Coonskin (1975)

1h 23m
Running Time

August 20, 1975
Release Date

Coonskin (1975)

1h 23m
Running Time

August 20, 1975
Release Date

External Links & Social Media
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Plot.

Brother Rabbit, Brother Bear, and Preacher Fox rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.

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Currently Coonskin is available for streaming online, rent, buy or watch for free on: Fandor, Midnight Pulp, Google Play Movies, Amazon Video, YouTube, Microsoft Store, Kanopy

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🇺🇸 United States

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Details.

Release Date
August 20, 1975

Status
Released

Running Time
1h 23m

Content Rating
R

Budget
$1,600,000

Filming Locations
New York City, United States

Genres

Last updated:

This Movie Is About.

black people
sexuality
bunny
black activist
racism
adult animation

Wiki.

Coonskin is a 1975 American live-action/animated satirical crime film written and directed by Ralph Bakshi. The film references the Uncle Remus folk tales, and satirizes the blaxploitation film genre as well as Disney's film Song of the South, adapted from the Uncle Remus folk tales. The film's narrative concerns three anthropomorphic Uncle Remus characters, Br'er Rabbit, referred to as Brother Rabbit, Br'er Fox, referred to as Preacher Fox, and Br'er Bear, referred to as Brother Bear. They rise to the top of the organized crime racket in Harlem, encountering corrupt law enforcement, con artists, and the Mafia, in a satire of both racism within the Hollywood film system, and America itself. The film stars Philip Thomas, Charles Gordone, Barry White, and Scatman Crothers, all of whom appear in both live-action and animated sequences.

Originally produced under the titles Harlem Nights and Coonskin No More... at Paramount Pictures, Coonskin encountered controversy before its original theatrical release, when the Congress of Racial Equality accused the film of being racist. When the film was released, Bryanston gave it limited distribution and it initially received mixed reviews. Later re-released under the titles Bustin' Out and Street Fight, Coonskin has since been re-appraised, recontextualizing the film as the condemnation of racism that the director intended, rather than a product of a racist imagination, as its detractors had claimed. A New York Times review said, "Coonskin could be Ralph Bakshi's masterpiece." Bakshi has stated that he considers Coonskin to be his best film.

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