Karl Freund

Karl Freund

Known for: Camera
Biography: 1890-01-16
Deathday: 1969-05-03 (79 years old)

Biography

​From Wikipedia, the free encyclopedia.  


Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937).


In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered.


Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks".


Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Filmography

all 153

Movies 152

Director 37

Producer 4

self 2

TV Shows 1

Writer 1

Director of Photography
Bright Leaf

Bright Leaf (1950)

Movie
Cinematographer
Montana

Montana (1950)

Movie
Director of Photography
South of St. Louis

South of St. Louis (1949)

Movie
6
Cinematographer
Key Largo

Key Largo (1948)

Movie
1
Cinematographer
Wallflower

Wallflower (1948)

Movie
Director of Photography
The Seventh Cross

The Seventh Cross (1944)

Movie
Director of Photography
A Guy Named Joe

A Guy Named Joe (1943)

Movie
Director of Photography
A Yank at Eton

A Yank at Eton (1942)

Movie
Director of Photography
The Affairs of Martha

The Affairs of Martha (1942)

Movie
Camera Operator
Comrade X

Comrade X (1940)

Movie
Director of Photography
Pride and Prejudice

Pride and Prejudice (1940)

Movie
Cinematographer
Florian

Florian (1940)

Movie
Cinematographer
Green Hell

Green Hell (1940)

Movie
Director of Photography
The Earl of Chicago

The Earl of Chicago (1940)

Movie
Director of Photography
Balalaika

Balalaika (1939)

Movie
Cinematographer
Barricade

Barricade (1939)

Movie
Director of Photography
Golden Boy

Golden Boy (1939)

Movie
Cinematographer
Tail Spin

Tail Spin (1939)

Movie
Director of Photography
Three Comrades

Three Comrades (1938)

Movie
Cinematographer
Man-Proof

Man-Proof (1938)

Movie
Director of Photography
Conquest

Conquest (1937)

Movie
4
Director of Photography
Parnell

Parnell (1937)

Movie
Director of Photography
The Good Earth

The Good Earth (1937)

Movie
Director of Photography
Camille

Camille (1936)

Movie
Director of Photography
The Great Ziegfeld

The Great Ziegfeld (1936)

Movie
Cinematographer
Air Mail

Air Mail (1932)

Movie
Director of Photography
Back Street

Back Street (1932)

Movie
Director of Photography
The Bad Sister

The Bad Sister (1931)

Movie
Director of Photography / Co-Director
Dracula

Dracula (1931)

Movie
6.4
Director of Photography
The Lottery Bride

The Lottery Bride (1930)

Movie
Director of Photography
A Knight in London

A Knight in London (1928)

Movie
Cinematographer
Lady Juan

Lady Juan (1928)

Movie
Author / Director of Photography / Producer
Berlin: Symphony of a Great City

Berlin: Symphony of a Great City (1927)

Movie
Director of Photography / Camera Operator
Metropolis

Metropolis (1927)

Movie
6.13
Cinematographer
Tartuffe

Tartuffe (1926)

Movie
Cinematographer
Variety

Variety (1925)

Movie
Kunsthändlr LeBlanc
Michael

Michael (1924)

Movie
Cinematographer
Tiefland

Tiefland (1923)

Movie
Cinematographer
Marizza

Marizza (1922)

Movie
Cinematographer
Torgus

Torgus (1921)

Movie
Cinematographer
The Rats

The Rats (1921)

Movie
Cinematographer
Satanas

Satanas (1920)

Movie
Cinematographer
The Arc

The Arc (1919)

Movie
Director of Photography
Phantome des Lebens

Phantome des Lebens (1919)

Movie
Camera Department Manager / Cinematography
Augen

Augen (1919)

Movie
Cinematographer
Die Sieger

Die Sieger (1918)

Movie
Director of Photography
The White Roses

The White Roses (1916)

Movie
Director of Photography
Frau Eva

Frau Eva (1916)

Movie
Cinematographer
Dear Eva

Dear Eva (1914)

Movie
Cinematographer
S1

S1 (1913)

Movie

Information

Known For
Camera

Gender
Male

Birthday
1890-01-16

Deathday
1969-05-03 (79 years old)

Birth Place
Dvůr Králové nad Labem, Czech Republic

Citizenships
German Empire, Weimar Republic, Austria-Hungary, United States

Also Known As
Carl Freund, Karl W. Freund

Awards
Academy Award for Best Cinematography

This article uses material from Wikipedia.

Last updated:

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