Between Midnight and Dawn (1950)
Between Midnight and Dawn (1950)
Network & Production Companies
Plot.
Rocky and Dan, war buddies, are prowl car cops on night duty. Dan is a cynic who views all lawbreakers as scum; Rocky feels more lenient. Both are attracted to the radio voice of communicator Kate Mallory; but in person, Kate proves reluctant to get involved with men who just might stop a bullet. By lucky chance, Rocky and Dan cause big trouble for murderous racketeer Ritchie Garris; but when he swears vengeance, Kate's fears may prove justified.
Where to Watch.
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Cast & Crew.
Mark Stevens
Officer Rocky Barnes
Edmond O'Brien
Officer Dan Purvis
Gale Storm
Katharine 'Kate' Mallory
Donald Buka
Ritchie Garris
Gale Robbins
Terry Romaine
Anthony Ross
Police Lt. Masterson
Roland Winters
Leo Cusick
Tito Vuolo
Romano
Grazia Narciso
Mrs. Romano
Madge Blake
Mrs. Mallory
Lora Lee Michel
Kathy Blake
Jack Del Rio
Louis Franissi
Philip Van Zandt
Joe Quist
Cliff Bailey
Police Sgt. Bailey
Tony Barr
Harry Yost
Peter Mamakos
'Cootie' Adams
Ric Roman
Rod Peters (as Earl Breitbard)
Wheaton Chambers
Building Superintendent Blake
Frances Morris
Mrs. Blake - Superintendent's Wife
James Brown
Officer Haynes (uncredited)
Billy Gray
Peter J. 'Petey' Conklin (uncredited)
Brick Sullivan
Policeman (uncredited)
Tony Taylor
Thurlow Conklin (uncredited)
Guy Way
Reporter (uncredited)
Media.
Details.
Release DateOctober 1, 1950
StatusReleased
Running Time1h 29m
Content RatingNR
Genres
Last updated:
This Movie Is About.
police
secretary
police officer
prowl car
noir
police brutality
escaped convict
woman between two men
organized crime
mobster
police stakeout
good cop bad cop
buddy cop
escaped prisoner
nightclub singer
patrol car
police shootout
night club performer
racketeer
buddies
escaped killer
murdered cop
war buddies
gangland killing
night patrol
police procedural
police dragnet
torn between two men
patrol officer
Wiki.
Between Midnight and Dawn is a 1950 American film noir crime film directed by Gordon Douglas and starring Mark Stevens, Edmond O'Brien and Gale Storm. It is notable as one of the earliest Hollywood policiers to focus on beat cops rather than detectives and other high-ranking officers.
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