Between Midnight and Dawn (1950)
Between Midnight and Dawn (1950)
Network & Production Companies


Plot.
Rocky and Dan, war buddies, are prowl car cops on night duty. Dan is a cynic who views all lawbreakers as scum; Rocky feels more lenient. Both are attracted to the radio voice of communicator Kate Mallory; but in person, Kate proves reluctant to get involved with men who just might stop a bullet. By lucky chance, Rocky and Dan cause big trouble for murderous racketeer Ritchie Garris; but when he swears vengeance, Kate's fears may prove justified.
Where to Watch.
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Cast & Crew.

Mark Stevens
Officer Rocky Barnes

Edmond O'Brien
Officer Dan Purvis

Gale Storm
Katharine 'Kate' Mallory

Donald Buka
Ritchie Garris

Gale Robbins
Terry Romaine

Anthony Ross
Police Lt. Masterson

Roland Winters
Leo Cusick

Tito Vuolo
Romano

Grazia Narciso
Mrs. Romano

Madge Blake
Mrs. Mallory

Lora Lee Michel
Kathy Blake

Jack Del Rio
Louis Franissi

Philip Van Zandt
Joe Quist

Cliff Bailey
Police Sgt. Bailey

Tony Barr
Harry Yost

Peter Mamakos
'Cootie' Adams

Ric Roman
Rod Peters (as Earl Breitbard)

Wheaton Chambers
Building Superintendent Blake

Frances Morris
Mrs. Blake - Superintendent's Wife

James Brown
Officer Haynes (uncredited)

Billy Gray
Peter J. 'Petey' Conklin (uncredited)

Brick Sullivan
Policeman (uncredited)

Tony Taylor
Thurlow Conklin (uncredited)

Guy Way
Reporter (uncredited)
Media.




Details.
Release DateOctober 1, 1950
StatusReleased
Running Time1h 29m
Content RatingNR
Genres
Last updated:
This Movie Is About.
police
secretary
police officer
prowl car
noir
police brutality
escaped convict
woman between two men
organized crime
mobster
police stakeout
good cop bad cop
buddy cop
escaped prisoner
nightclub singer
patrol car
police shootout
night club performer
racketeer
buddies
escaped killer
murdered cop
war buddies
gangland killing
night patrol
police procedural
police dragnet
patrol officer
love triangle
Wiki.
Between Midnight and Dawn is a 1950 American film noir crime film directed by Gordon Douglas and starring Mark Stevens, Edmond O'Brien and Gale Storm. It is notable as one of the earliest Hollywood policiers to focus on beat cops rather than detectives and other high-ranking officers.
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